This week’s featured work is a mid- to late 19th century American gilt composition cove frame with textured cove and fruit clusters at the corners.
“The Hudson River School”, sometimes called the first school of American art, was a fraternity of 19th-century artists best known for their dramatic, grandly scaled depictions of American landscapes.
Thomas Cole, who was actually an English émigré, was the unofficial founder of the school, which also included Frederic Church, Albert Bierstadt, and Asher Durand.
Several of the artists lived on New York’s Hudson River – hence the school’s name – and they all painted natural scenes, mountains, valleys, rivers, forests and other wonders of nature, that captured the majesty and unspoiled beauty of the new American frontier.
The Hudson River was famous for its beautiful, often pinkish light and artists of the time were fascinated by it. Their paintings were infused with that special light that was almost spiritual in effect. This luminance inspired an offshoot of the Hudson River School, and its artists were aptly named “Luminists”.
Thomas Cole believed that “the frame is the soul of the painting,” and other Hudson River School artists shared his interest in finding, or constructing the perfect frame.
Detail of corner ornament and textured cove of this week’s frame
Compo was used to create beautiful ornaments inspired by nature, which were applied to layered moldings of significant depth and width, intended to draw the eye into the perspective of the scene and reinforce the majesty of the paintings they encased.
For more information on this frame or any of the 5000 frames in Lowy’s collection, please visit www.lowyonline.com or call 212-861-8585.