Lowy is honored to be participating in the 12th annual Hampton Designer Showhouse, along with 30 other interior design and home furnishing companies, with the proceeds going to benefit the Southampton Hospital.
The 2013 Hampton Designer Showhouse, Bridgehampton, NY (courtesy of Hampton Designer Showhouse)
This year’s Showhouse is located in a charming, traditional shingle style house on Brick Kiln Road in Bridgehampton, NY. Lowy designed three antique and period frame displays in the main gallery on the first floor.
Lisa Wyer, Lowy’s Gallery Director with one of her frame installations at the 2013 Showhouse
Lisa Wyer, Gallery Director for the past 25 years, selected the frames for Lowy’s space and supervised the installations. “Lowy has over 5000 frames, dating from the 16th to the 21st century, so I had a lot to choose from,” said Wyer.
A collection of Lowy’s early 20th century American Impressionist frames and two paintings by Simon Parkes
Groupings at the Showhouse include 18th and 19th century Swedish framed mirrors, a collection of black and silver frames ranging from 17th century Spanish to 21st century modern, suitable for use with paintings or as mirrors, and a group of early 20th century American Impressionist frames, along with two recent paintings by local artist Simon Parkes.
The Hampton Designer Showhouse is open to the public daily through Monday, Sept. 2. Visit www.hamptondesignershowhouse.com for Showhouse hours, directions and admission prices.
For more information on Lowy’s collection of over 5000 frames, please visit www.lowyonline.com or call 212-861-8585.
In celebration of the 125th anniversary of the Milwaukee Art Museum’s foundational Layton Art Collection, Lowy reframed a selection of the collection’s significant paintings with frames specially chosen for their correlation with the history, provenance and style of the works.
In 1888, Fredrick Layton, a British-born billionaire, inspired by his exposure to and love of art and culture, decided to build an art gallery near Cathedral Square in Milwaukee, becoming the foundation of what would be the Milwaukee Art Museum. The Layton Art Gallery was one of the first single-patron art galleries in the United States, a landmark for its time.
To underscore the importance of the Layton Collection to the Milwaukee Art Museum, the museum currently features three exhibitions of the history and art of the Layton Collection. One of these exhibitions entitled Mr. Layton’s Gallery displays a floor-to-ceiling salon-style hanging reminiscent of the original Layton Art Gallery, which includes the seminal painting Homer and His Guide by William-Adolphe Bouguereau.
Part of the Layton Art Gallery’s original collection, William-Adolphe Bouguereau’s Homer and His Guide carries on the Neoclassical tradition of 19th-century French painting. Dominating French academic painting in the late 19th-century, Bouguereau often focused on religious or mythological subjects. In Homer and His Guide, Bouguereau was inspired by Andre Chenier’s poem describing shepherds offering their services after hearing the blind Greek poet Homer praying for a guide.
From Lowy’s collection of over 5000 museum-quality frames, Lowy consultants selected a fine 1880s French gilt composition Barbizon-style frame with ogee profile and continuous finely detailed scrolling acanthus leaf ornamentation that has almost identical ornamentation to the original frame as seen in the archival photographs in the Layton Collection to frame this masterpiece. The intricate pattern is a typical framing pattern used extensively in France and America during the 1880s.
Comprised mostly of European art, the Layton Collection also contains some of the most notable American artists such as John Sloan and his 1909 painting Big Hat. One of the founders of the Ashcan School of American art, Sloan is best known for capturing urban genre scenes and neighborhood life in New York City.
For Sloan’s Big Hat, Lowy selected an early 20th-century gilded American cassetta frame of reverse profile with stenciled design on a painted panel made by the Newcomb-Macklin Company. With showrooms in New York and Chicago, the Newcomb-Macklin Company was widely known for their beautiful early 20th-century frames. In addition to the frame’s design being historically and aesthetically correct, the size of the frame fits Big Hat exactly, suggesting the possibility that the frame could be the original frame made for the painting.
Another remarkable American painting in the Layton Collection is Charles Willson Peale’s Elizabeth McClure. Specializing in portraiture, Peale painted many important historical figures such as George Washington and Benjamin Franklin in addition to wealthy patrons.
Lowy framed Charles Willson Peale’s Elizabeth McClure with a mid-18th-century English carved and gilded Louis XIV-style frame with continuously carved scrolls and floral sprigs. Many successful 18th-century portrait painters such as Peale purchased their frames in England due to the sophistication of English design and craftsmanship. Seen on other portraits by Peale from this period, this particular frame design was popular in the mid-18th-century in England and France.
The last frame provided by Lowy to the Layton Collection surrounds a portrait of Frederick Layton himself. Framing George Yewell’s regal Portrait of Frederick Layton, Lowy selected an 1880s French gilt composition Barbizon-style frame with ogee profile and continuous acanthus leaf ornamentation to both enhance the portrait, as well as complement the studied artistic tastes of the man whose art collection became what is now known as the Milwaukee Art Museum.
For more information on Lowy’s collection of frames, visit www.lowyonline.com or call 212-861-8585